An already established universe behind it, Star Trek Into Darkness should have an easy run of worldbuilding exercises that can help further expand this J.J. Abrams science-fiction vision. No such luck. Meandering along without much to prove and even less to show for itself, Star Trek Into Darkness is an uncomfortably predictable piece with quite a strange change in pace and tone. Bumping out some of the more established characters and gambling on the introduction of Benedict Cumberbatch as a nostalgia-pop villain, surrounded by the fairly well-established new heroes adorned in roles of a bleak and whimsical past. There is room to grow into them for these characters, and thankfully, Star Trek Into Darkness does offer that in spotty moments of discourse.
Even with those thick, glossy atmosphere choices, the work of J.J. Abrams on Star Trek is far better than first expected. Having no love for the series that spawned it all certainly helps when engaging with what is, essentially, a remastering of the characters and varied stories at the heart of this installation. A reference here or there will go over the heads of newly approached novices to the Star Trek universe, but as long as the bulk of it is understandable, the threats obvious and the chemistry between the ensemble successful, then Star Trek will have no trouble appealing to a new generation. A desire to engage with that is quite difficult, but easily optimised by smart writing that rattles through the quick and successful portions of the Gene Roddenberry show.