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Magnolia Review

With such a promising ensemble, it’s hard to see how Magnolia could be anything other than a superbly layered character study of intertwining lives. Like Desperate Housewives, but over the course of two and a half hours, rather than an aeon. Paul Thomas Anderson’s dramatic titan sees a collection of stories, the highs and lows of a rough handful of individuals connected by chance, flimsy narratives or shady dealings. Whether it works or not, it’s hard not to appreciate how big of an ask Anderson proposes to his cast, a project that has to have the right amount of connection between roles, enough to engage an audience, but not enough to incite obvious cliché.

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