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Hereafter Review

As he stumbles towards the tender, twilight years, Clint Eastwood has begun to toy with what death means. Hereafter would be quite the fitting swan song, considering his attempts at touching on the world around him would leave him with a chance to enclose his promising thoughts. But it was not to be, he would go on for a decade after this, making far better films in that span of time. They detail the thoughts he has here far better, and it makes Hereafter feel like a bit of a redundant, albeit well cast, feature. Jay Mohr and Richard Kind may feature ever so briefly, but they are washed away by Matt Damon, as are some other characters in a more literal sense in an opening that sees them meet with death, but avoid it ever so briefly.

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