Blur has confirmed the release of a Live at Wembley album and live film of their arena appearance last year.
A tweet from the band’s official Twitter/X account showed the CD, vinyl and cassette versions of their Wembley show from last year. The album will release on July 26. The show’s one-year anniversary will also be celebrated with a limited edition picture disc through Blood Records.
READ OUR REVIEW OF BLUR’S WEMBLEY SHOW HERE.
Alongside a live recording release, the band also confirmed a Live at Wembley Stadium concert film set for a cinematic release on September 6. Separate two and three vinyl LP sets are available for pre-order with different tracklists for each. The three LP set is the full recording with all songs, while the two LP release lifts songs from the two shows.
The three-LP tracklist can be found below.
SIDE 1
St Charles Square
There’s No Other Way
Popscene
Tracy Jacks
SIDE 2
Beetlebum
Trimm Trabb
Villa Rosie
Stereotypes
SIDE 3
Out of Time
Coffe & TV
Under the Westway
End of a Century
SIDE 4
Sunday Sunday
Country House
Parklife
To the End
SIDE 5
Oily Water
Advert
Song 2
This is a Low
SIDE 6
Girls & Boys
For Tomorrow
Tender
The Narcissist
The Universal
A limited edition teal version of the three LP set is also available. The tracklist for the two LP set can be found below.
SIDE 1
St Charles Square
There’s No Other Way (Saturday)
Popscene (Saturday)
Beetlebum
SIDE 2
Trimm Trabb (Saturday
Villa Rosie (Saturday)
Coffee & TV
Under the Westway
SIDE 3
Out of Time (Saturday)
To The End (Saturday)
Parklife
Song 2
This is a Low (Saturday)
SIDE 4
Girls & Boys
Tender
The Narcissist
The Universal
Links to pre-order the album can be found here. The announcement of the Live at Wembley album comes just two months after Blur played their “last show” at Coachella. Damon Albarn told the audience of their first of two shows: “You’ll never see us again.” It came as a lacklustre crowd were heard barely singing along to Girls & Boys.
Cult Following covered the event, writing: “Blur are the people on stage an audience does not care for – and it is not as simple as right or wrong – just a mark of respect between audience and artist. A lack of it, in this instance.”
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