Presumably, director Joseph Kosinski had hoped to avoid having Spiderhead compared to Michael Bay’s cloning feature The Island, but here we are. A commentary either on animal testing and the broad range of human trials or the strange gateway drug of Marvel films leading to a state of absolute empty repression. Spiderhead then becomes a feature documenting Chris Hemsworth hoping to regain his ability to feel love for art, or just in general. Although it would be a bit on the nose if he were in the hot seat, Miles Teller of all people steps in. A second chance for the Whiplash lead after that weird Esquire interview. If it weren’t too squeaky clean and desensitised, then Spiderhead would be something. Not something good. But something.