Adapting the life and talent of Bob Dylan to the biopic genre was an inevitability. It is hard to see how anyone could stop it from happening. For all the failed markups of The Beatles, The Beach Boys and the big names around the 1960s, pulling off a dissection of The Voice of a Generation is no small feat. I’m Not There plays with the format of traditional detailing. Dylan defines a meaning or passage of time for so many people, spread across generations. To adapt that correctly, no one man can portray Dylan, and that is what director Todd Haynes gets right with I’m Not There. As Stuck Inside of Mobile with the Memphis Blues Again plays through the opening credits and the passages of time cross the screen, I’m Not There springs to life.