Wanting to coast along on its Alfred Hitchcock influence, The Woman in the Window does little to separate itself from Rear Window. That is fertile ground to harvest from, and if done right then there is certainly room for characters within this Joe Wright-directed piece to flourish and grow. Here is the shut-in neighbour, nosey not out of interest for others but out of boredom. She uncovers a potential murder and must work from home (like all of us have done for the past year) to solve a potential case of crime. You may know these narrative beats inside out, but it is what The Woman in the Window does with them that brings out the most interest of all. Not much is the answer, but bless them for trying.