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The French Dispatch Review

Visual anthologies are hit or miss. There is, undoubtedly, going to be a segment that doesn’t work as well. It will feel bulky or slower. Rare it may be to find much balance; The French Dispatch at least tries to. Director Wes Anderson’s collection of fictional works of great journalism are the ensemble-heavy notes of love to the boundary-pushing journalists at the heart of great stories. Anderson’s sickly, Mr. Kipling French-Fancy variation of colour, technique and cinematography is abruptly halted. His stylistic dependency is changed. Most surprising of all for The French Dispatch is its reliance on drab tones. Black and white cinematography is the common treatment for these three stories. Reflect on the past, the simplicity of the times. That is the point, but in practice, it makes this latest feature from the distinct visual creator a bit run of the mill.

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